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名家真迹九成是仿品
　　本报1月6日讯(记者 王法艳)花十几万元买的一幅黄胄《五驴图》却被专家鉴定为仿品，藏家陈先生的心里五味杂陈，“书画市场太残酷了”，他感叹道。今天上午，北京荣宝拍卖副总经理、国家一级鉴定师李砚强和青岛鉴定团团长王祖荣先生坐镇荣宝斋青岛经销店，为藏家一鉴真伪，前来鉴定的47幅名家手笔，被两个专家鉴定为真迹的只有5幅作品，其他的要么为仿品要么只是工艺品。
　　黄胄《五驴图》被鉴为仿品
　　今天上午9时，北京荣宝拍卖副总经理、国家一级鉴定师李砚强和青岛鉴定团团长王祖荣在荣宝斋青岛经销店坐镇鉴宝，藏家带来的书画都是声名赫赫的大家之作。收藏家陈先生带来的黄胄的《五驴图》，与白石虾、悲鸿马、可染牛都是世所共知的名家一绝，陈先生带来的这幅《五驴图》若是真迹，至少可卖20万元以上。李砚强凝神观看了一会，委婉地说出这是件仿品，他解释说，这幅画虽然遵循了黄胄画驴惯用的章法“三驴对俩”，但是驴的结构不明显，“你把驴的头或腿遮起来，就很难看出这是一头驴来，而黄胄的驴把任何一个部分挡起来仍然可以看出是一条驴，这就是‘窥一点而知全豹’的境界”。
　　陈先生的脸上掩饰不住失落，“我2006年在唐山买这幅画花了十几万呢”，陈先生还告诉记者，在买了这幅画后曾去北京东琉璃厂和西琉璃厂找专家鉴定过，其中专家于文玉鉴定说是黄胄创作于1985年的真迹，陈先生感叹说：“书画市场太残酷了，真假非常难辨，难辨到仁者见仁智者见智。”
　　47幅作品只有5幅真迹
　　一幅等待鉴定的蔡元培山水画展开后，王祖荣看了一下说：“这幅山水画得不错，但不关蔡元培的事。”王祖荣介绍说，蔡元培其实在书法上小有成就，但一看这幅画的落款明显是仿他人之笔。还有一幅落款为明末著名画家崔子忠的人物画，王祖荣鉴定说是清朝后期的仿品，因为画卷一看就不是明朝的卷而是清后期的卷。
　　3个多小时的鉴定下来，47幅书画作品中只有5幅被鉴定为真迹，对此很多藏家都心有不甘，表示自己在收藏前也做了很多研究，发现作品跟书画家一贯的风格、布局都特别像才下定决心买的，而李砚强解释道：“神似，往往是最容易迷惑人的，如果一件仿品连神似都做不到，别人怎么会上当呢。”
　　李砚强建议藏家从微小的细节入手，对于人物画，观察对线条的用力也是一个很好的突破口，李砚强以一幅被鉴定为仿品的刘继卣人物画为例：“虽然人物神态跟刘继卣的画特别像，但这幅画的人物线条比刘继卣的要重，画这幅画的人一定比刘继卣的生命力更旺盛，有生机。”
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